Saturday, July 9, 2011

Controlled by a Scruffy Little Animal: Notes on the Rocks

Controlled by a Scruffy Little Animal:

Notes on the Rocks

We knew the rain was coming. Or, at least, we should have known.

When the canoe left our spacious campsite of towering red pines and old green tents on a peninsula on Fourtown Lake, we, four college students, noticed the western horizon. Bloated clouds like marshmallows expanding in heat were a stripe of impending precipitation. But the sun, and the blue sky it punched through to brown our shoulders, made rain seem unlikely. Having been rainless for five days, we were accustomed and expectant of Pleasantville weather. We were excited to have a picnic a lake away in the sun.

The paddle from Fourtown Lake to Moosecamp Lake in the BWCA involves a currentless mucky river with no name. It was like an aimless, bastard oil slick. There were more plants than water: Swamp buttercups, water lilies (both fragrant and bullhead), and Joe-Pye weed pulled at our paddles. The river bent back on itself in ninety degree turns, indecisive in its real direction. We ploughed into the shoreline grasses often during these sharp turns, the thick vegetation higher than our heads.

Small beaver dam segmented the river. Every hundred yards or so, a mound of mud and sticks met the nose of our canoe. All four of us had to get out, go knee-deep in hungry, sulfuric-smelling mud, and use push-grunts to the canoe over the fulcrum of packed earth. Reentering the canoe was equally exhilarating, for our collective shifting weight jostled the already unsteady craft. Our soggy footwear spooned in dark warm marsh water each time. That, coupled with the musk of four unwashed bodies, gave our journey an aromatic aura comparable to a sweaty toilet.

Hearing thunder under a blue sky was nearly charming, like seeing a young child in a scary mask at your door. We laughed out “uh-ohs” and continued, trying our best not to notice the drop in temperature and the shore grasses bent in a newly shifted wind.

Our instructor, known as Dr. Bob – a writing professor who often spoke of his home state of Kansas and his home boy of Wordsworth the way some speak of ancient landscapes and gods – had asked us before we left if we were going to bring our raingear. We, the young and fearless students, smirked and said, “No.” Dr. Bob also smirked, a more bemused and wise version, before saying, “Oh. Okay.” We figured if it did rain, it would feel great on our skin due to the recent hot weather.

I thought of this brief conversation after we ascended a four-foot by twenty-foot beaver dam when the first drops fell. We cheered like children playing in the rain with no grown-ups around. After all, our swimsuits were on, and we had Ziploc bags in which to put our belongings.

Five minutes later, it was pouring. Fat rain, frigid loogies, slapped the river. I sat in the duffer’s position (the non-paddler in the center of the canoe) and felt my prior exuberance wash away. I was cold. I was miserable. I was sitting in funky brown water. I had no raincoat to stay dry, no knife to cut firewood, no lighter to start a fire, no way to remedy my discomfort. The dark gray sky was throwing down all it had, and I had to take it. All of us were quiet; some of us shivered, then a few of us cursed. Moosecamp Lake was still a ways away – “a ways” being the accurate and universal unit of measure when the traveling is unpleasant – but we paddled on.

My lack of preparation was stupid, I knew, but somewhat thrilling in the powerlessness it created. I had written in my journal a few days prior about how I wanted Nature to debase me, to put in my place as a small struggling creature; to give me the fierce backhand of a storm, a twisted ankle from her gnarled roots. I wanted Nature to make me hate Her so I could understand Her enough to truly lover Her. These almost masochistic longings were received.

I could not better the situation, so I smiled at the violent weather – so tangible and biting – and took my dirty baptism of humbleness.

Letting go of the illusion of control is difficult, especially if the situation can me semi-controlled. For example, if hypothermia had set in on me, I sure as hell would have done all in my power to warm up and survive. I’d bind myself with the thick life jackets, find a granite nook to ball up in, and breathe dry my wet body. For to let go of control is not to let got of the struggling.

According to John Ayto, author of Dictionary of Word Origins, the word “control” comes from the Old English contra-rotating, which was a medieval method used in checking accounts where two people were registered in a dual account. So by its very nature, controlling is monitoring two separate things. This makes sense in terms of the inner landscape of humans. Contentment slow dances with frustration, tranquility flirts with turbulence. It’s like an open invitation party at the end of the year, and everyone’s trying to hook up, just for the hell of it, just because life can let such dichotomies play and propagate. What’s frightening isn’t the closeness of opposites but rather how little we can do to purify, safeguard, and control the ones we like.

I half remember an old Ghanan legend I once read about bickering siblings in heaven before light existed. One sibling wanted light for the world and its creatures. The other wanted the darkness to remain. So the siblings fought, and are still fighting today, alternating victories and losses with days and nights. I enjoy this story for its non-totality, of its beneficial balance through struggle. Day is day when night can’t fight and vice versa.

Three days prior to this trip to Moosecamp Lake, I was four miles west on Basswood Lake, strolling the rocky shore, skipping stones and thinking. I came upon an inhabited, pinkie knuckle-sized snail shell. I held it my hands like an aged coin and traced its contours with my wet fingers. My identification was touching another’s. I pressed the shell to test its hardness. It exploded. Two drops of snail blood – blood as red as my own – landed on my bare chest. The crushed thing in my hand was a new jagged ruin. I tossed the pieces of my victim back in the water, trying to tell myself it would be eaten by a loon, or would decay, or something ecological-sounding to mitigate my guilt. I let the two drops of blood on my chest mix with my sweat until it trickled in pink down my body, back into the lake.

Later, I watched a lengthy summer sunset. The clouds were wispy, spread sparsely in the rich, warm paints of dusk. These clouds could have been spirits, or paintings, or paintings of spirits. They were heaven smoke, I realized, a loose haze from the tired ember of the sun. The slivers of orange clouds nearest the horizon were lined like eyelashes or ribs.

As the sun approached the white pine horizon, it became swallowed in its own smoke. One sibling had lost so the other could win control of the sky. It was a graceful and easy defeat, like musical chairs with only one chair.

On the last beaver dam before Moosecamp Lake, I slipped on a wet log, took two or three backward steps in a frantic attempt to balance myself, and then fell into a piss-warm pond. My peers laughed at me.

“This water’s warmer than the air,” I said, as if my dive was of calculated, thermal purposes.

“But it smells horrible,” someone reasoned.

“Yeah, well…” I started, knowing I couldn’t argue.

The canoe made a scraping sound up the incline, and the leveled with a plop. The water from the sky was almost icy, resoaking my shirt with its coldness.

“I’m cold.”

“Me too.”

“Me three.”

“My nipples are like BBs.”

We complained and pushed on, hungry for lunch at Moosecamp.

My wet, mud-streaked legs reminded me of the pictographs near Lower Basswood Falls, those pinkish, burgundy-brown images on the canvas of granite cliffs towering the lake’s edge. More specifically, I recalled the one of the moose with accentuated male genitals. It smoked a pipe, too. No doubt this pictograph had significant meaning in terms of fertility. But a well-endowed moose puffing away is still worthy of a grin.

On the same panel of rocks, a couple of feet upwards to the right, was the image of a pelican sporting horns on its head. I later learned the horns were associated with Missepishu (The Great Lynx), an Ojibwa god known for his mischievous, disruptive pranks. When things went wrong on a hunt, when rain did not come, when canoes were tipped, it was said to be the work of Missepishu. However, the god was not seen in contempt. Missepishu was merely a jokester who controlled small misfortunes, and he was accepted as so. But why his horns would be on a pelican is unclear.

It’s also unclear when these pictographs were created. Most specialists believe they were done between 300 and 500 years ago. The mixture of fish oil, animal fats, and local iron oxides used to create these images has held up nearly perfectly with minimal fading. Of course, the Ojibwa did not think of them as “pictographs.” According to Michael Furtman, author of Magic on the Rocks, the drawings were called muzzinabikon, meaning “marks on the rocks.” However, in the Ojibwa language, the word gikinowin means “map, message, or record in picture.” I think gikinowin is the more suitable word for what I saw on those rocks, for such a word encompasses the larger scope of place and meaning. There are no myths, peoples, or animals without a place, a map of stories.

Most gikinowin stem from myths. These myths usually concern a struggle for control, and what transpired from that struggle, to explain why things are the way they are. Every culture has creation myths, but how nature casts those characters is intriguing. David Rains Wallace writes, “Older myths generally placed humans on a scale midway between animals and gods. This position had a comfortable stability. It gave people something to look down on and something to look up to.” Indeed, we are not rabbits or Allahs, and we often curse that we can’t step up or down on this ladder in order to become more oblivious or omniscient. So what do we do? We create. We create stories, songs, paintings, sculpture, things created to have control over something extracted from a world we cannot.

Many could argue God (of the many forms) was the only true creator. This I cannot prove or disprove. But going out into the wilderness certainly provokes spiritual thoughts. Being suddenly surrounded by beautiful land and sky is like opening a door to something. God is the ultimate knock-knock joke, really. I mean, who is there? We turn the knob and push only to find nothing but everything that was already there. It’s a deliciously funny mad-lib, a cruel fill-in-the-blank.

I agree with science fiction writer Ursula La Guin on her views on God: “Obviously, we need a trickster, a creator who made the world all wrong. We need the idea of a God who makes mistakes, gets into trouble, and who is identified with a scruffy little animal.” We need a Missepishu.

Days earlier on the Horse River, Dr. Bob had decided a portage around some rapids was “for sissies.” I was in the bow of his canoe, not steering, so I was at his mercy. The three students in the other canoe took the portage of about 70 rods.

“You sure?” I asked my gung-ho professor.

“Why not? We’re young,” he said.

Our combined age of 83 did not exactly sound puppyish, but the adventure was a departure from the paddle-portage-paddle-portage routine.

The first rapids came against us trickling – low water, several rocks – and it was easy to step out and gently guide the canoe upstream. We waded comfortably, cooling our ankles before jumping back in to paddle to deeper waters.

“I never was a wet-footer,” he said. “But I thought today was the day.” He nodded at his blue Keen water shoes, happy to put them to use.

The next set of rapids were a longer stretch but still weak. No footing was easy, for glacier-munched rocks shifted under weight. The current picked up near the end of these rapids. I could feel it on my shins, looking down to see overturned parentheses cupping my pant legs. Dr. Bob pushed from the back of the canoe, steadying it over the swiveling current. I took one last lunging step, hoping to give us some momentum, before jumping back on, and abruptly fell chest-deep in water.

“Does it get deep there?” He laughed.

“A little bit.”

I clutched a short length of rope that was tied to the bow, while my other hand stabilized the bow itself. I kept dragging, thinking of this self-inflicted struggle we were putting ourselves through for a few laughs.

These new rapids before me had something to prove; there was much more whitewater in them. They were not much to the eye unless that eye was in the head and body that had to go against the current, pulling a sixty pound canoe and a hundred pounds of gear. Dr. Bob jumped out again. Things got serious. It suddenly occurred to me we had no idea what we were doing. The current now hugged our hips, unseen sticks poked our shins, and river bottom rocks kept our stances unbalanced. We stumbled like drunkards.

With my back toward him, I was setting the pace. I tugged and kept tugging until I heard a moan. He was bent over favoring his left ankle, muttering under his breath.

“Ankle?”

“Yep.”

“You okay?”

“Um…yeah.”

I got the sense that it wasn’t okay. I thought this small injury would send us back, but Dr. Bob straightened himself and said, “Try to go to the right of that boulder up there. It’ll be easier.” He boosted the stern upstream with a full arm push. He was sweating and smiling like a child.

A part of me thought, What is this old man doing to himself? I hope he doesn’t think I’m gonna carry him back if he drops. One tends to believe, or wants to believe, that leaders, professors, people who teach things, have methods to their madnesses. I had supposed he had done this before, and I was growing unsure about this supposition.

The canoe became a creature unto itself in the faster waters. It was a green clumsy beast that insisted the river’s current was the right way to go, regardless of its master’s commands. Boulders turned from foe to friend as they became steady anchors to lean the beast against. On one such mid-river boulder, we ditched the Duluth bag to make the load lighter, and rested. I asked Dr. Bob if he had ever gone this way before. He said, “No,” and laughed. “No, I’ve never gone this way before.” And then he turned his face towards the sky to laugh some more. He looked suddenly young and playful, like an otter in the afternoon sun. I realized he was just a boy from Kansas playing in the river, no more a professor than any other curious creature doing curious things. Sweat dripped from the white hair on his chin, and river water dripped from his fingers.

Twenty yards ahead of us, the others were waiting, dry and unspent. They waved.

“What…what happened to you guys? Did you fall in?” They asked.

“Yeah. Yeah, we fell in.”

We emptied our canoe and carried the gear on a small, overgrown path near the shore to calmer waters. Then we carried the canoe together: I at the bow, Dr. Bob at the stern.

We had gone maybe a total of one hundred yards on those rapids, but when the surface one navigates is a treadmill of moving water, the energy expelled is the more important measurement. Before reboarding, I took a look back at the rapids. It was beautiful. Some green paint from our canoe had rubbed off on a string of rock corners, and these specks glittered in the sun, getting smaller in the distance.

The weather cleared up on Moosecamp Lake. A light mist moved between the leaves and needles of shoreline trees. There’s nothing like the quite lull after a rain in the middle of nowhere. The air seemed to wait for new whispers, but we waited for nothing, paddling quickly to shore to devour our lunch of wet tortilla flaps, wet cheese, wet sausage, semi-dry peanut butter, jam, wet chocolate, and dried fruit that wasn’t so dry. We chewed and grunted happily in the simple pleasure of eating outside when one in hungry:

“Mm. Hell yeah.”

A smacking of lips, some sipping of water.

“This is so friggin’ good.”

“Oh. I know. Just heaven.”

“Pass the peanut butter and tortillas. This party’s just getting started.”

We reclined on moist rocks and looked to a newly sunny sky. One would think such a quick transition from rain to shine would render a rainbow, but the sky was blue and empty. We talked. We laughed at the wildly unprepared voyage we had taken. We balled up our shirts and twisted out gray water. We ate our fill and rested, chocolate and jam drying on our palms.

Three-fourths of the way back, we realized we had left the map at our picnic spot. It was no bother. We knew the way. I love the image of that map, full of boundaries and miles, eventually being absorbed by the very landscape it claimed to convey.

Thursday, July 7, 2011

Stopping at Barns

Stopping at Barns

By: Dave Woehrle

My father worked second shift at Hertz at O’Hare airport in Chicago, which meant my brother and me had the mornings to play with Dad, or as he put it, “dick around for a few hours.” His jovial demeanor, keg-like German belly, and his cookie-duster mustache make him easily comparable to a cartoon walrus mayor.

Each morning started with oatmeal, apple juice, Gumby, and the Dukes of Hazzard, all four of which shaped my psyche more than I’d care to admit. Gumby aired after The Andy Griffith Show, and we only caught the famous, happily-whistled exit music. My father would whistle along, amazing me in his tonal dexterity, considering, to this day, I cannot whistle. For years I thought the Andy Griffith outro music was actually the intro music for Gumby. The non sequitur nature of this segue did not bother me; the screen that once held a strolling man and his son with a fishing pole on a gray gravel road, now displayed my main man Gumby and his trusty stead Pokey over gallivanting hills of colored clay. The residual Pavlovian effect exist to this day, so much that any whistling whatsoever makes me think of green clay.

The Dukes of Hazzard came on after Gumby. All I remember of the show was the fat sheriff constantly falling into brown creeks, later emerging to sadly empty his cowboy hat of water, whilst looking comically jilted. I know not what my father – or anyone, for that matter – got out of that show.

My brother and I spent the rest of each morning playing with plastic He-Man or Ghostbusters toys in the living room, while our father made us PBJs in the kitchen. He'd often call our Dalmatian into the room to tongue up the globs of grape jam that made their way to the floor. My father was no chef. His peanut butter / jam ratio grossly favored the latter. Eating his sandwiches was like puncturing a blister highly pressurized with purple puss. Our dog got fat.

The remaining hour before elementary school was up for grabs. Mostly, we drove around suburban Chicago, looking for abandoned factories, barns, or other buildings that looked cool, or were covered in weeds. My father would often take us to parks, as well, leading us through forests as my brother and me fought with sticks, and climbed trees. There were times where we were more a pack of silver-back gorillas than suburbanite family: we'd grunt, laugh, throw stuff at each other, and chase squirrels.

The drive to wherever we were going created suspense like I've never since experienced. We'd get in the old black Chevy Suburban, with its gnarled gray seats reeking of dog hair, car oil, and melted fruit snacks, an aroma I associated with adventure. In my seven-year old mind, my father could be taking us to Mars, or the playroom at McDonalds. And either way, I'd leave sweaty and missing a shoe. My brother climbed into the backseat and traded guesses with me about our potential destination.

"Spaceship park?"

"Maybe. Bowling alley?"

"No. Went last week. Mickey D's?"

"Dave, don't call it Mickey D's. No one calls it Mickey D's anymore."

I learned, and continued to learn, that my older brother was the knowledgeable vortex of slang, fashion, music, and recess social codes. He always told me new curse words and what sneakers I should get to maintain the right kind of coolness.

Some days we'd go to flea markets and browse the dirty booths, observe sad men in folding chairs, fingering greasy dollar bills in gray metal cash boxes. Some sold Star Wars figures in their original packages; some sold vinyl records; some sold stolen telephones probably ripped off cheap motel walls. And there was always a man selling hundreds of knives, the blades fanned out on a large card table like a metal flower. No one stopped to ask how or why the knife man did this, and only now does it seem strange.

I also inherited an affinity for buying used books from these flea market days. It was an art to be crafted. You had to bargain down from 50 cents; you had to leave with an armful; you had to open the book and smell it to calibrate its aroma in the New Book / Old Book smell spectrum. I still practice to this day, collecting words others grew tired of, pages tinged with attic, yellowed with time.

One place my father favored was an abandoned fairground off Lake Street near the town of Addison. It was the site of an amusement park called Adventure Land, where, in its heyday, a quarter could buy you a hot dog, a funnel cake, and two rounds on the Ferris Wheel. However, like all older, semi-dreamy people, my father has a tendency to romanticize the past, dress it in the soft focus lens of perfection.

"It was great," he explained as we approached what appeared to be only a forest. "They had these slides. Huge friggin' bumpy slides. You know, the ones where they give a green Army blanket and you climb stairs to the top? We would just haul."

"Haul?" I asked, perplexed by such vocabulary.

"Haul. You know, like, to move, or to move real quickly. As in 'to haul ass' or 'haul furniture.'"

"Okay," I said, considering how I could use 'haul' in my recess talk, perhaps in the context of Tag.

We parked and went into the forest. The Midwestern trees looked haunted and happy. The oaks, maples, and willows hovered over us like strange-haired relatives over a crib. It was fairy tale-ish, as most days were back then. My brother and I hit each other with sticks and laughed. My father never told us to knock it off, as he knew it was probably healthy and organic for brothers to spend time in the woods hitting each other with sticks.

Suddenly, we came to a fence with a posted NO TRESPASSING sign. Of course, we climbed the fence. This was standard operating procedure for my father. He was convinced his goodwill would be adequate in defending himself in the face of law. "We're just exploring," he reasoned. "We're not doin' nothing wrong, so the feds can kiss my ass. The worst they can do is ask us to leave." My brother and I cheered at our dad's defiance; we were, and always will be, delighted by his badassery. At the time, I had no idea what the word "trespassing" meant. I said the word nightly in my "Our Father" prayer, but, like God, I couldn't wrap my head around the word’s definition.

Climbing over the fence meant ripped jeans, which, in turn, meant lies to tell our mother. "Tell her you fell off your bike or something." My brother and I nodded and looked at the denim flaps at our knees, our secret trophies.

Walking on, the forest floor went from dirt to concrete. Broken black wires snaked through our footing, each wire tip plumed out in copper flowers. There were cinder blocks in shrubs, plastic bags caught on branches. We came upon four rectangular slabs of cement. Our father informed us the slabs had once supported the Ferris Wheel. We each climbed up on a separate block and looked around. My father pointed at the most center point between us.

"I wonder what's under there," he said.

We jumped off our blocks. My father knelt down and flipped a gray metal lid. The rust crackled off in red flakes, exposing a large hole in the dirt. My father put his head in the hole, looked left, then right, and jumped in.

"Boys…"

"What?"

"I think this is the bowels of the Ferris Wheel, where they had all the gadgets and stuff. It’s like a bunker or somethin’.”

My brother monkied down, swinging on a black cable with the grace of a ninja. I opted to jump down, landing square on my chubby little boy ass in a puddle of something. I stood and tripped on cement broken jaggedly upwards by roots. It smelled of mold, metal, and time, like a shrine where only mildew worshipped.

We stood in a rectangle of light, kicking moss and old popcorn bags. Darkness extended in either direction. My father led us one way, hit a wall of dirt, then went the other, and hit a wall of dirt. The tight soil was laced with beige roots and bugs. He touched it and said, "Well…I guess that's all she wrote, boys." He sighed. "I guess they paid some poor schmuck to work down here. How wouldja like that job, huh? Underground like a mole, messing with gears and levers like a carnie Quasimodo.” My brother and I looked at him ponder his imagined poor schmuck. He said, “Shit. What a world,” and climbed out.

We walked back from Adventure Land through the same forest, yet the trees seemed different, as if we or they were guards or intruders. We were on land once used for human entertainment, ways to thrill and dazzle teenagers on summer nights. But the trees reclaimed their clout, swallowing not only a cheap amusement park, but our fleeting concepts of time and space.

Back in the car, my father cranked Creedence Clearwater Revival, a band of flannelled, bearded men who, like my father, knew all of about six chords on the guitar. We drove home, my mind flooded with images of ghostly slides and Ferris Wheels disappearing in forests. John Fogerty asked, “Who’ll Stop the Rain?”

I think now of the rusty wires in the dirt. I wonder, "Geez…who can stop anything?"

***

Our explorations crossed state lines. The Midwest has a large amount of melancholic remnants on its flat lands, like scraps left on an old dining room table.

One such place was an abandoned shack a half acre away from our family cabin in northern Minnesota. It was a small single room cabin, about the size of ¼ tennis court. A cinder block under each of the four corners gave the shack an elevation of six inches to protect it from floods, since the shack was about twenty feet from the lake.

An old fisherman once lived there, a drunk with no family. I never met him, but I heard stories. How he kept to himself and only nodded solemnly at others to communicate; how he paddled the bay and fished for sunfish from a small green canoe; how he stopped showing up one summer, his shack left to nature.

The lock on the front door had long been busted when our father first took us inside. The floor noticeably slanted to the left, so one had to lean to keep balance like a funhouse. The fridge and oven were rounded, capsule-like, something considered modern in the 50s. The flour and sugar tins were still full albeit chunky-sounding to the shake, my irreverent touching of everything never being frowned upon. The red and green flannel sheets were sun-bleached on the single made bed in the corner. I'll always remember the single, varnished spoon on the table in the center of the room. I could never bring myself to touch it. It was one of the few I've seen in life that looked at home in its aloneness. On the rare occasions my father moved an object – an ashtray, a Field and Stream issue peeled and molded over – he made sure to put it back where he found it, as if the ghost would return and tally the locales of his possessions.

My father pointed to the broken windows and sighed. "Why do people gotta do that?" My brother and I never told him we had done the window-breaking with our BB guns last summer. We had done it for the same reason every male breaks things: it looked and felt cool.

Someone from the county eventually took the cabin down, burning the piled wood for a whole day. All that was left were charred cinder blocks, which wolf spiders took over with their thick webs.

***

Three years later, we moved to a more western suburb of Chicago. The neighborhood was clean and new, smelling like mall and clean laundry. I didn't like it. The town lacked the modern decay we had explored earlier in our lives.

But my father quickly discovered the local forest preserves to explore. And, of course, he wasted no time in finding new relics to “dick around in.”

I’m not sure how my dad found the farmhouse. For all I know he had a map of abandoned houses in the greater Chicagoland area in the glove compartment. My father’s boyish sense of adventure never wavered. He was a modern day Huck Finn, minus the slim physique and corncob pipe.

The white farmhouse was on a thin state highway near a cornfield. Half the roof had clasped, like a ghost with a broken shoulder.

We approached the farmhouse like hunters on a wounded animal.

“You gotta be careful,” my father said. “Some hobo could come out screaming, wielding a knife or somthin’.” He yelled loudly at the house, apparently to spook away potential squatters. When neither sound nor man came out of the house, he said, “Well…I guess the coast is clear.”

On the rickety front porch, my brother’s leg disappeared with a cracking sound into the rotted wood, to which my father said, “Oop. Careful.” Now this may sound like child endangerment, but it’s not. My father was merely installing a tough, find-out-for-yourself curiosity. Coupled with my mother’s thriftiness and medical knowledge – she holds the belief that most ailments can be mitigated, if not cured, by ibuprofen, ice, a makeshift splint and nap – my upbringing rendered my brother and me self-reliant with a tinge of smart ass.

The front door fell off its one hinge when my father pushed the door. On the inside doorway rug a dead mouse the size of a baby’s fist was being eaten by dozens of bugs. “Circle of life, boys,” my father said. Instead of being grossed out, we knelt to observe the decay, the several scavengers nibbling another scavenger. The gray fur along the ribcage moved like a finger moving behind a drape.

Since these semi-legal explorations coincided with my extensive reading of the R.L Stine’s series, Goosebumps, my imagination ran wild when we entered the creaky attic. My father tiptoed on the weak lattice of fifty-year-old insulation and papery two-by-fours, crouching down to a black chest that, to me, just had to contain pirate bones or rubies. Instead we found thousands of checks dating back to the 1910s. As my father and brother kneeled down under the pallid light from a yellowed window, I stood on edge, darting my eyes to corners and sounds.

“You guys hear that?” I asked skittishly.

“Raccoon, probably,” said Dad.

“Yeah, Dave. Duh,” my brother explained.

My father brought out armfuls of checks, which looked like papyrus.

“Apparently…” my father started, raising the check up to the weak light, “James Schwartz’s check-writing days are over, ay, boys?” He chuckled and dug his arm back into the chest, searching. My brother handed me a check. The names and numbers were written in that cursive hand I’m convinced went extinct after World War II: slanted, consistent, elegant.

Those checks are the only things we ever took from that house, but we went back several times. Each time was less scary. It was like visiting a relative that couldn’t talk because of a terminal disease, a presence of death breathing. There was only silence, objects, and space. And I found it comforting for the first time. I realized the lack of life was its own life, and I had my first cravings for that doppelganger, the shadow body left to rot.

The house was bulldozed a year later. The whole family drove by after dinner one evening, my father vaguely pissed off yet unable to articulate why, exactly, it was a loss.

“It was just a neat house. A bit of history,” he sighed. “The bastards will probably put up another friggin’ Circuit City.”

“Honey,” my mom started. “Don’t talk like that.” She gave my brother and me a concerned glace, worried as all mothers are by their children’s intake of dirty words and disgruntlement.

“Ah…they’re still bastards,” my father said, shaking his head, looking our his window at the pile of shady white wood scraps that were once a house, next to freshly overturned Illinois soil.

***

A few months before I left for college, I drove out to a campground to meet my father for a weekend of eating and walking in the woods. It was dusk, a time when the rural Midwest turns briefly orange and angelic. I listened to CCR with the window down, smelling leaves burning on the wind.

I turned on the road to the campground and noticed a gray barn a couple hundred yards to my right. It looked like the shed of a god in the day’s waning light. Its gravel driveway was bifurcated in the center with knee-high tan grass. I drove slowly up to the barn to explore.

I had sprained my ankle a few days prior, so I limped about in the darkening bowels of the barn, looking through the stables. The air was heavy yet cool inside the barn, smelling of animal and rain. Brittle hay lay in loose, slouching bales amongst pellets of deer and raccoon turds. The roof was gouged in several places, the light purple sky patchy and dispersed in the gray roof like mellow, scabby stars. A rusted out combine held a collection of brown rain water. Glass Pepsi bottles were lined at the base of one wall, target practice for the local kids with BB guns or sling shots. I moved through a few smaller rooms, finding a few ripped plaid shirts and a teal kitchen chair with its dark yellow stuffing ripped out of the seat. I explored for an hour, hearing only my disjointed footsteps and slow breathing in the cool Midwestern evening.

I drove the rest of the way to the campsite in the dark, contemplating my father, his life and love of history. I parked my car and walked up to the site.

“What’s going on, Peg Leg Pete?” my dad asked, sitting by the fire, scratching himself. Peg Leg Pete was my current alias due to my injury.

“Not much. What’re we eating?”

“I got some dogs boiling. Should be done in a few.”

I pulled a lawn chair up to the fire. We sat silently, swatting mosquitoes.

“How’s the foot?”

“Tender. But better.”

“Good. Ma said you should ice it tonight. Take some ibuprofen. You know the drill.”

“Yeah. I know the drill.”

We sat awhile longer. He prodded at the hot dogs in a pot over the fire. “Almost there,” he said. “How was the drive?”

“Pretty.”

“Yeah. It’s awful pretty this time of year, ain’t it? This Indian summer is great. A bit of nip in the air, you know? A little frost on the pumpkin, as they say. But it’s nice. Real nice.”

“Yeah, it is.” We both smiled up at the dark sky and sighed through our noses.

Later in the evening, eating hot dogs and drinking diet cola, he said, “On the way here, I stopped at this old barn just across the way.” He gestured in the direction of the woods. “South of here, I guess.”

“I stopped there, too,” I said.

“Really?”

“The gray one, right? All falling apart and shit?”

“Yeah. I walked in and heard this nasty hiss, and then this spooked raccoon ran out. It scared the hell out of me. Then the coon just kind of looked at me for a few seconds. It didn’t know whether to shit or go blind. Geez. What do you think goes on in their heads?”

“In a raccoon’s head?” I asked, with a mouthful of hot dog.

“Yeah. I mean, when they see humans, what does your average coon think?”

“I never thought of it. Maybe they’re thinking, ‘what do humans think when they see us’, you know?”

“I don’t think we’re that far from coons, evolutionarily speaking. We both try to get grub and have sex and stuff. I think I read somewhere that raccoons have elaborate social hierarchies. Like they have an alpha male and an alpha female. They’re smart little buggers.”

My father nodded and sipped his cola, thinking himself a biologist. My father, like myself, gathers knowledge based not on the reliability of the source in which he found it, but on how interesting he finds the “facts.”

“Yeah. Mammals are good,” I said.

“Anyway, we should check out that barn again tomorrow. Together.”

“Sure.”

We sat and gorged, each of us having four dogs a piece. My father put another log on the fire.

He sat back down, belched, and said “I wonder where they went, you know?”

“Who?”

“Whoever owned that barn. I wonder why they left. There’s gotta be a story there.”

I nodded and looked that fire, the bottom logs becoming as flameless and black as the night. I went inside the tent, iced my ankle, and fell asleep.

We went back to the barn the next morning after a breakfast of oatmeal and apple juice my mother had packed. My father whistled Gordon Lightfoot tunes all morning, happy and husky in the sun.

Both of us were silent in the barn, the morning light giving the barn a spiritual aura, like we were Amish pilgrims finding home. We split up and wandered the barn like old times, and left without speaking.

This was all my father said that day: “It’s something else. It’s really something else.”

In that moment, I realized I was my father’s son. The idea of seeing a gray dilapidated barn and having to stop to explore – both us of thinking, “how could I not stop?” – revealed my acquired curiosity. Perhaps it’s our mutual pessimism of life; we feel the whole world is doomed to decay, but the light at the end of the tunnel is how beautiful that decay can be. It’s morbid, yes, but what’s left behind in the wakes of our lives is the crux of human history: the stories of people on land. It’s the wonder of what happened.

My father and I both like the idea of not being around people, but rather where people once were, their lives suddenly void of the false veil of themselves. Artifacts lack that respite of façade. Our dwellings and tools for living are left naked and unexplained for explorers, but there is a shortage of explorers. Many of us forget the impermanence of things, that these shacks and barns are neglected suburban archeological sites that need a thorough going over. Modernity tricks us into thinking that the future is now, our physical reality solid and endless. But our buildings and lives will be gone to nature once again.

This is all just AdventureLand. This Ferris Wheel will stop turning, and we will all leave this temporary carnival. I just hope there will be creatures around curious enough to sift through our debris, that the NO TRESSPASSING signs render inquiry and not fear.

That’s why I’ll never stop “dicking around” on this planet, for it’s the most human thing to do. And I know it makes my father proud.

What Her Boyfriend Calls It

What Her Boyfriend Calls It

By: Dave Woehrle

Back in my college days, after over-eating and suffering butt piss at my buddy’s grill-out, I stopped by the local grocery store to pick up some Imodium (anti-diarrhea pills). I also picked up a 12-pack of Old Style beer, too, since I was heading to a party later that night. Two-birds-one-stone-sort-of-thing.

I approached the register with these two items. Upon seeing my shopping choices – my unhealthy dietary choices – the female cashier said, “So…you like Doggy Style, huh?”

I furrowed my brow and thought about the meaning of her question. Was she assuming I was taking Imodium to make anal sex possible for my gay lover, and that the beer would help me make such promiscuous decisions? I wasn’t sure.

Seeing my confused face, she offered the following, “Well, at least that’s what my boyfriend calls it.”

That's. What. My. Boyfriend. Calls. It.

Huh.

“Ah,” I said, smiling and nodding, as if we had reached an understanding about doggy style. Really, I just wanted to get out of there.

To this day, I usually don’t go more than a week without thinking about what that cashier meant.

But to be fair, in hindsight, anyone who buys nothing but Imodium and Old Style at a grocery store deserves whatever is coming his/her way.

Upon Flying Low Over the Great Plains on the Fourth of July

Upon Flying Low Over the Great Plains on the Fourth of July

By: Dave Woehrle

In his window seat next to her, he observes:

fire confetti leap to tickle wings,

each burst reflects Lucky Charms green,

virgin panty pink,

colors on the wing's underbelly,

twisting to turn on the shiny metal tip.

Aliens must saucer over us on Independence Day

with sodas, popcorn, and expectations,

loving the show, the explosions.

They imagine Kansas full of robed alchemists

celebrating summer corn with fuschia flames at night.

So he laughs at these star hiccups,

these lily pads of light

splashing the lithosphere

cupped in his oval window.

She sighs, turns the page of her Vogue. It’s just fireworks, honey.

Friday, July 1, 2011

The Way Things Ought To Be (Vol. 2)

The Way Things Ought To Be (Vol. 2)
by: Dave Woehrle

(Note: these writings are meant to be comedic. As the great German composer Johannes Brahms put it, "If there is anyone here whom I have not insulted, I beg his pardon." Or, as my Grandpa Woehrle used to put it, "Fuck 'em if they can't take a joke."

Coffeehouse Open Mic Night

Coffeehouse open mic nights ought to be more accurately renamed "Sad Thin White People With Guitars / Occasional Fat Girl Reading a Poem About Birds."

Females Saying "Nothing"

When a female is angry and distant, and a male boyfriend asks "What's wrong?" the woman will say, "Nothing." However, she does not mean "nothing is wrong." What she ought to say is the following: "I'm upset. However, I will not tell you why I'm upset. You will have to arbitrarily guess as to what is bothering me. This includes not only bad things you have done, but things you have NOT done, things you forgot to do/say/think/feel. I hope you feel real bad for a few days while I remain silently mad. That is all."

Yogurt

You never see men in yogurt commercials. There ought to be men in yogurt commercials. I don't have a vagina, but I do enjoy my morning Yoplait. The dairy marketing feminists have taken things too far.
Fun Size / King Size


Candy companies ought to stop naming small candy bars "Fun Size" and large candy bars "King Size" for it implies being a king isn't fun, and I don't think that's the case. There's a reason people want to be king, to rule the world: it's awesome. You get respect and bling and concubines and jesters and bad ass cheetah-skin robes. Conversely, history has shown the small peons of society had very little fun. The only fun they could have was dictated by the kingdom's rules. In other words, the opposite of "fun" isn't "king." The unit of measure is metaphorically confusing.

Candy bars ought to be named "Peasant Size" and "King Size." That way, during Halloween, you could go to your door and, judging by the child's aroma and costume, decide their socio-economic status snack. Little Jayden, smelling like Trust Fund and Country Club membership, wearing a brand-new Optimus Prime get-up, would get a "King Size." Little Rusty, smelling of Fetal Alcohol Syndrome and WWF Raw reruns, wearing a soiled bed sheet with two non-equidistant holes in it, would get the "Peasant Size." It's called reality. And besides, how else are kids going to learn about feudalism nowadays?

Masturbation As Patriotic

Masturbation ought to be considered patriotic. In a country so fiercely proud of its Git-Er-Dun independence, it's odd an activity in which a citizen literally takes matters in his/her own hands is frowned upon. It's just so American to dive down into the trenches and rise gloriously to blissful freedom. And what do you REALLY think about when you hear the words "above the fruited plain" in "America the Beautiful"?

Perhaps our Christian Puritan roots hindered our private-playing pride, but what about the hymn "Come All Ye Faithful?" Besides the great title, the song contains such wink-wink phrases as "Come and Behold Him!" and "Born this happy morning!" and "Now in flesh appearing!"

The French refer to the orgasm as "la petite mort" (the little death). Leave it to the retreat-hungry French to find defeat in something so great.

I just hope I live to see a bumper sticker on a pick-up truck that reads "These colors don't run. They come hard."